Considered the last Hitchcock masterpiece and the director’s penultimate film, Frenzy is often described as being one of Hitchcock’s most visceral, disturbing films. However, this paper argues that the violent nature of the film is not the only aspect of the film that makes it so notable, but rather that it contains a message concerning the relation of power, ignorance, and the rise of moral destitution. By analyzing the differing relationships between several of the characters based on Michel Foucault’s theories of sexuality and power, this paper will reveal several key instances of ignorance that ultimately led to the demise of a character and the continued increase in power of the primary antagonist. This paper also argues for Hitchcock’s complete control over the audience and his own characters through the use of techniques such as dramatic irony and instances of choosing when to show violence and when to avoid confrontation. This paper argues that the theories applied to this film are the most appropriate when discussing this sexually charged and virulent film in a manner fitting with that of scholarly literature.

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