David Reed is a contemporary American visual artist who is known for his canvas abstract paintings that feature multiple images of swirling brushstrokes. In the 1990’s, Reed created an art project called Two Bedrooms in San Francisco that involved producing Judy’s Bedroom in 1992 and Scottie’s Bedroom in 1994. In these art pieces, Reed inserted images of his painting into scenes from Alfred Hitchcock’s Vertigo. Reed inserted his paintings into the footage of the bedrooms of the film’s leading character’s Scott and Judy. His artwork involves playing the modified footage continuously on a television monitors next to replicas of Judy and Scott’s beds and the paintings Reed inserted into the film.
Reed wants his art pieces to be hung in bedrooms because he believes that bedrooms are where people have their most private, intimate moments and are where paintings can be most appreciated and looked upon in reverie. Reed chose the Vertigo bedrooms to insert his paintings because they are both imaginary places that exist in the film and in the audience’s minds, but are also bedrooms located in real, public spaces. In the film, Judy’s and Scott’s bedrooms are where the two had their most intimate moments and Reed wants his art to be a part of people lives and these life-altering moments.
Bottom image is the altered scene with Reed’s painting in the background
Reed, David. “David Reed, “Scottie’s Place/Judy’s Place”. Carnal Pleasures:Desire, Public Space, and Contemporary Art.” San Francisco: Clamor Editions (1998): n. pag. Web.