Alfred Hitchcock’s 1948 film, Rope, is based on the 1924 case of Leob and Leopold, two university students and perceived lovers, who murdered a fourteen year old boy named Bobby Franks. They were students of Nietzchean philosophy which emphasizes the “will to power” as the chief motivating force of society. They set out to commit the “perfect murder”, and Hitchcock was intrigued with this concept. During this time however, the idea of homosexuality was a sort of taboo, but Alfred Hitchcock knew that the psychological suggestion of the perfect murder, tied in with the suggestion of homosexuality would be enough to cause a stir among audiences. This created a voyeuristic view into the lives of these two murderers, which raised the stakes for the film as a whole. As well as dealing with the societal view at the time, Rope was an experimental film. It was thought to be a film shot uninterrupted with cuts or edits. There were found to be ten cuts of film, hidden as foreground objects filled the screen. Rope is based upon the explorative examinations of emotional content and psychological conflict which parallels with the technology of its time.